Michelle Gagliano was born in Jamestown, New York. She has created a considerable body of work with projects including artist residencies, solo exhibitions, group shows, museum exhibitions, and private installations. Gagliano’s work is held in numerous private and corporate collections nationally as well as internationally in Europe and Asia.

Gagliano’s art is a continuous engagement with the notion of beauty and experimentation.  Imaginary “natural” forms and textural patinas are melded in an exploration of surface alchemy, presenting the viewer with a breathtaking panorama that evokes both timeless private visions and universal themes and emotions.

Stilled Fox, pencil on plaster, 8 inches x 60 inches, 2017 copy.jpg


               For years I have been investigating the notion of light versus dark.  I get excited when darkness and light merge together to have a conversation. Their contrast is a basic reflection of navigation in life—the learning to integrate and make different viewpoints, backgrounds, and beliefs harmonious, merging them into a platform that creates a spirited dialogue that is exciting, musically balanced, and visually interesting.

              The imprint of the landscape has been a constant for me. Whatever subject I am researching in the studio, I always circle back to the investigation of the landscape. It is my place of refuge.  I follow the light, mood, and colorations of the seasons, responding to all weather conditions and how they affect the colors of the surrounding skies and landscape. Like a sundial, I follow the light through the day, tracking it as it bounces and reacts to whatever is in its path. The light's movement is an amazing dance. A dialogue forms as the light fractures itself onto the landscape. My current body of work takes this conversation into account and further reduces and deconstructs the landscape, reflecting and refracting the prism of light and soul in a contemporary concept. The cinematic "golden hour" creates an illumination that reconstructs the landscape into a Dantesque study of "Paradisio.”  


2017   VMFA Virginia Museum of Fine Arts Visual Arts Fellowship

2007   The Painted Violin. Original Musical Composition inspired by the "Painted Violin" artwork by Michelle Gagliano.  Composition performed by the Santa Fe Symphony Orchestra, Santa Fe, NM

2002    Best of Show, Artfest Juried Show, The Cynthia Woods Mitchell Pavilion, The Woodlands, TX

2001    Cow Parade Houston, Sponsor Houstonian Hotel, Houston, TX

Roadkill Scroll, 12 inches x 25 feet, Pencil on Paper.jpg